Showing posts with label DVD. Show all posts
Showing posts with label DVD. Show all posts

Wednesday, September 14, 2011

The Beach House in “Something’s Gotta Give”

by HOOKEDONHOUSES on MAY 4, 2009

Afriend took me to see Something’s Gotta Give when it first hit theaters. I knew it was a Diane Keaton-Jack Nicholson romantic comedy. What I didn’t expect was to fall in love with the Hamptons beach house Keaton’s character lives in. I went back to see it again a week later, just to get a better look at that house.

It wasn’t until I started blogging that I realized I wasn’t alone in my obsession with theSomething’s Gotta Give house. For all of my readers who asked me to post photos of it–this one’s for you.

Something's Gotta Give Hamptons beach house exterior

The exterior is a real house somewhere in the Hamptons (Long Island), but the interiors were all created on a soundstage.

Something's Gotta Give house-front porch

The Living Room:

Something's Gotta Give living room

Here’s the living room, looking toward the entry, as shown in the film (above), and a shot of the set for Architectural Digest (below):

Something's Gotta Give living room rug

The movie was written by Nancy Meyers, who has had her hand in other great “house movies” I’ve featured, like It’s Complicated, The Holiday, The Parent Trap, Father of the Bride, and Baby Boom (click here to see photos from those movies, too).

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This shot of the living room was featured in Architectural Digest:

Something's Gotta Give in Architectural DigThe Production Design was done by Jon Hutman (who also worked on The Holiday), and the Set Decoration was by Beth Rubino (It’s Complicated).

Erica and Harry (Diane Keaton and Jack Nicholson) in the living room at night–meeting up for a “pajama party:”

Don’t even ask what paint colors were used (I have already been flooded with e-mails on the topic). Set Decorator Beth Rubino says they were custom-mixed colors that were designed to look good on screen. The lighting is different on a set than it is in a house, so even we used the same paint, she says, it wouldn’t look the same.

You can listen to an interesting interview with her on the topic at The Skirted Roundtable.

The living room during a storm:

The Dining Room:


Something's Gotta Give Dining Room still

The Kitchen:

We were building our house when this movie came out. Thanks to Something’s Gotta Give, I’ve got a kitchen with white cabinets, black countertops, and dark floors. I copied as much of it as I could! I later found out I wasn’t the only one inspired by it. Every home show I went to the following year seemed to have its own version of this look:

Harry’s Guest Room in Erica’s House:

While We’re at It–a Peek at Harry’s Townhouse in New York:

harrys-townhouse-staircase

harrys-townhouse-bedroom

Erica’s Bedroom and Study:

As a writer who works from home myself, I swooned over Erica Barry’s home office. Those windows! Those built-in-bookshelves! This is one of my favorite spots in her house:

Diane Keaton was nominated for Best Actress for this role at the 2004 Oscars and won a Golden Globe.

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After Harry leaves her, Erica can’t stop crying–but she does get a lot of writing done!

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Exterior Views:

The pool as photographed for Architectural Digest (above), and a production shot that shows how the pool and fake exterior really looks on set (below):

Erica waves goodbye to Harry as he drives away:

Jon Hutman received an Oscar nomination for Production Design because of this now-iconic movie house.

Is this one of your favorite movie houses, too?

More photos and information at Architectural Digest, Cote de Texas, and Silver Screen Surroundings. You might also enjoy the tour of Diane Keaton’s home.

Check out my TV/Movie Houses page for links to all the others I’ve featured, from It’s Complicated to Father of the Bride.

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Friday, August 26, 2011

“Baby Boom:” City House, Country House


by HOOKEDONHOUSES on APRIL 26, 2009

Ihave a weakness for romantic comedies from the ’80s, and Baby Boom with Diane Keaton is one I’ve watched a hundred times. It was written by Nancy Meyers, who is behind more good house-movies than you can shake a stick at, including The Parent Trap, Father of the Bride, Something’s Gotta Give, and The Holiday. When she works on a movie, you know the scenery is going to be good!

In “Baby Boom,” Keaton plays J.C. Wiatt–aka the “Tiger Lady” who is so driven and ambitious at work that she has never really made time for a personal life. Then a distant relative dies and leaves her young daughter Elizabeth in J.C.’s not-so-maternal hands.

J.C. has never wanted to be a mother and has no plans to keep Elizabeth, but finds herself bonding with the girl despite herself. Motherhood doesn’t mesh with high-powered corporate life, however, so J.C. flees the rat-race of New York City and buys a charming old house in the small town of Hadleyville, Vermont.

In the beginning, J.C. lives in this sleek, gray, contemporary apartment in NYC that reflects who she is as a high-powered businesswoman:

Bringing baby Elizabeth home to a house filled with leather, glass, and chrome:

Learning how to change a diaper (her boyfriend, played by Harold Ramis, breaks up with her as soon as he realizes J.C. plans to keep the baby):

When J.C. can no longer keep up with her high-powered business career, she quits her job and takes Elizabeth to live in the tiny town of Hadleyville, Vermont:

J.C. has bought this charming yellow farmhouse from the classified ads, sight unseen:

J.C. spends the long winter inside the farmhouse making applesauce from all the apples she gathered in her orchard. She later begins selling it as “Country Baby” baby food, and it’s a big hit with yuppie parents:

There are some problems with the roof that become apparent during a snowstorm:

One of my favorite scenes is when J.C. is told that her well has gone dry. She says, “Well, can you just pull the hose around from the front of the house and fill it up again?”

The plumber explains that no, she’ll have to tap into the county water line, which is several miles down the road, and that’s going to be kind of expensive. J.C. has a meltdown–the house has had one problem after another and she’s broke.

She wakes up in Dr. Sexy’s Cooper’s office (Sam Shepard), and she pours her heart out to him–including how lonely she is and how she really needs a man. He lets her cry on his shoulder. Then a horse walks in and Dr. Cooper says, “My next patient is here.”

She eventually gets over her humiliation of their first meeting and they fall in love.

J.C.’s bedroom:

The living room–and final scene of the movie:

Yes, the movie is sappy and sentimental, but it gets me every time. I think the sets have held up pretty well considering they were designed in 1987. All these years later, I still love that yellow house.

There was a TV sitcom based on “Baby Boom” (same name) that lasted only one season in 1988. Does anyone remember it? According to the IMDb website, Kate Jacksonplayed J.C. Wiatt and Joy Behar played Helga the nanny. I’d love to see that!

If You’re Hooked on Houses from Movies:


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