Showing posts with label houses onscreen. Show all posts
Showing posts with label houses onscreen. Show all posts

Wednesday, September 14, 2011

Diane Lane’s Italian Villa in “Under the Tuscan Sun”

by HOOKEDONHOUSES on AUGUST 16, 2009

Welcome to another Movie Monday, when I feature the houses from our favorite films. Under the Tuscan Sun, a movie (loosely) based on the memoir by Frances Mayes and starring Diane Lane, is a perfect “house movie.” After divorcing her cheating husband, Frances takes a trip to Italy, falls in love with an abandoned villa, and decides to buy it. As she restores the house, her life undergoes a kind of renovation of its own.

We get a glimpse of the home she shared with her husband as she’s packing up to leave:

Frances takes nothing but some boxes of her personal things and this blue vase. She pulls the flowers out of it and dumps the water on the floor before walking out:

Her best friend Patti is played by Sandra Oh of “Grey’s Anatomy.” In the movie, she’s in a relationship with Grace, played by Kate Walsh, who starred on “Grey’s Anatomy,” too, before getting her own spin off (“Private Practice”). In the movie, they’re expecting a baby together.

Because of the pregnancy, they give Frances Patti’s ticket to Italy, hoping that a vacation is just what she needs to get her life moving again.

While she’s there, Frances looks at the real estate listings that are posted (how many of us have done this on vacations, too?). She sees one she likes, for a villa called “Bramasole:”

Later, the tour bus pulls up next to the villa. She shouts, “Stop the bus!”

She steps inside and looks around:

It needs work, but Frances sees the potential in the old house:

She buys it on the spot, despite the pigeons that are living there (and one that was particularly rude to her when flying overhead):

After signing the papers, Frances tries to come to grips with the fact that she just bought the rundown villa:

She starts cleaning things up and taking inventory of all the things left behind, like bottles of wine:

And stacks of old newspapers:

She hires a team of Polish workers who don’t speak much English:

Frances says she wishes she had somebody to cook for. Then she realizes that she does have someone she can feed: her workers!

The workers set up a makeshift table for lunch:

The meals that she cooks for them are so good, they applaud. (I wish someone would applaud one of my meals around here–just once! I usually get comments like, “Why couldn’t we order pizza?” and “Pot roast again?!” But I digress.)

Her pregnant friend Patti (Sandra Oh) appears on her doorstep one day. Her girlfriend Grace (Kate Walsh) has left her, deciding she’s not ready for motherhood (this plot point was hard for me to buy, but whatever–it was a way to bring Patti back into Frances’s life). She moves into the villa’s blue bedroom:

Frances’s writing room:

Patti points out that there is steam coming up from the toilet, which probably indicates that there is something amiss:

A view of the living room, looking into the dining room:

The kitchen:

My apologies to Diane Lane for this horrible photo of her. I was concentrating on the kitchen in the background and not her face when I snapped it!

Patti dances with her new baby under the wisteria arbor:

The writer and director of the film, Audrey Wells, says that they didn’t actually change much of the house during filming to show the before and after. They just cleaned it up a little and “filmed it in warmer, prettier light,” she says, to make it look like the rooms had been renovated.

The front door:

Frances’s room (love her white dress):

Also love the church that Frances’s young friends get married in, so I had to snap a photo of it for you, too:

Frances hosts the wedding reception in her garden, where she meets an American writer played by David Sutcliffe (who coincidentally appeared in “Private Practice” with Kate Walsh–small acting world!).

You can see how much her terrace has been transformed since she bought it:

Frances steps out onto her balcony and we get a glimpse of the side of the house:

A close-up of Frances’s desk with her finished manuscript for Under the Tuscan Sun on it:

Who wouldn’t want to buy a villa here? Gorgeous!

A reader sent me a wonderful photo of the actual villa (thanks, Joanie!). She says, “We visited Cortona a few years ago and stayed at a hotel very near to Bramasole. The picture is from the car window, as I was trying to be nonchalant!”

bromasole-tuscan-villa-in-real-life

Diane Lane has starred in several other movies that feature beautiful homes, too such asMust Love Dogs and Nights in Rodanthe. Which of her movie houses is your favorite?

Visit my TV/Movie Houses page for links to all the others I’ve featured so far, from Sabrina to You’ve Got Mail.

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Tuesday, September 6, 2011

The Grand Victorian Mansion in Disney’s “Pollyanna”


by HOOKEDONHOUSES on AUGUST 2, 2009

pollyanna-movie-poster

Welcome to another Movie Monday, when I feature the sets from our favorite films. When I was in the 2nd grade, we watched the Disney movie “Pollyanna” on a giant screen in the gymnasium at school, and I will never forget it. I loved the house so much that for years I fantasized about growing up to live in one just like it someday.

I also liked the positive, feel-good message of the movie, and how Pollyanna changed so many lives in the small town. I hadn’t seen the movie in years until my blogging friend Derek recently sent me a photo of the real house used in it. It led me to watch it again, and the sets did not disappoint. They were just as wonderful as I remembered.

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After 11-year old Pollyanna is orphaned, she goes to live with her stern and humorless Aunt Polly (Jane Wyman), who lives in this three-story mansion.

pollyanna-sees-house-1st-timeThe movie was based on the classic 1913 novel by Eleanor H. Porter and takes place in 1910, so the filmmakers faced the challenge of recreating the era. They decided to film in Santa Rosa, California, but couldn’t find a three-story house that would work. The solution? A little Hollywood magic.

Believe it or not, here is the actual house they used in the film:

pollyanna-mcdonald-mansion-santa-rosa-original

It’s known as the McDonald Mansion and was built in the late 1870s by Col. Mark Lindsay McDonald, owner of Santa Rosa’s water company. According to About.com, the Stick-Eastlake style (a type of Victorian architecture) was meant to evoke the plantations along the Mississippi.

7/11 UPDATE: A reader named Robert Ruiz sent me some beautiful photos of the house that he took today. Here’s how it looks now:

It’s a gorgeous home. (Thanks, Robert!)

The filmmakers decided that the 14,000-square foot mansion could pass for Aunt Polly’s house–with a little help. The top two floors were painted on. That’s right. They were simply a matte painting added in post-production to look like this:

pollyanna-house-with-matte-painting

The interior sets were elaborate. Hayley Mills says she had a great time running around and exploring them between scenes, adding that there were several rooms that they never even filmed in.

The screenplay was written by David Swift, who came from an animation background. He painted illustrations of how he envisioned the houses and various sets to look.

The Entry Hall

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The illustration above shows how Swift wanted the entry hall to look (from the DVD special features). It’s amazing how closely the sets resembled what he imagined:

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Over 300 girls auditioned for the role of Pollyanna. Panic was setting in as they couldn’t find the right actress for the part. Then Hayley Mills was spotted in a British film called “Tiger Bay” and brought in at the last moment, just as another actress was about to be signed. It’s hard to imagine the movie with anyone else in that role.

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Pollyanna enters the house for the first time and looks around. She has lived as the daughter of a poor missionary family until now, so this is going to be a whole new kind of life for her.

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Aunt Polly opens the front doors:

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The Kitchen:

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This is one of the illustrations that writer-director David Swift showed to the set designers (above). You can see how the kitchen appeared in the film (below):

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A note of trivia about writer-director David Swift: he also wrote the screenplays for both “Parent Trap” movies.

The Conservatory:

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The Dining Room:

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I love this old photo taken of the dining room during the film’s production because it shows the lighting above the ceiling line:

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Aunt Polly’s Bedroom:

illustration-bedroom

You can see the illustration painted of the room (above) and how it appeared in the film (below) with exacting detail:

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A wide shot of Aunt Polly’s bedroom (the bed is to the right):

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The Parlor:

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Sitting Room:

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If you’ve seen it, then you know the movie tends to go on and on. It wasn’t just because people had longer attention spans in 1960, however.

Director David Swift says that even he thought it ran too long and wanted to edit a lot of the scenes to pare them down. But Walt Disney loved every minute of it and refused to let Swift cut a thing.

The Side Yard:

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Hayley Mills (in the DVD special features) says that she learned life lessons from “Pollyanna” that have stayed with her today about being positive in the face of adversity.

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Thanks to Derek of Derek M Design for sending me the house photo that inspired this post!

Visit my TV/Movie Houses page for links to all the others I’ve featured, fromThe Parent Trap to Gone With the Wind.

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